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Running with Scissors: A Memoir, by Augusten Burroughs

Running with Scissors: A Memoir, by Augusten Burroughs


Running with Scissors: A Memoir, by Augusten Burroughs


Get Free Ebook Running with Scissors: A Memoir, by Augusten Burroughs

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Running with Scissors: A Memoir, by Augusten Burroughs

Amazon.com Review

There is a passage early in Augusten Burroughs's harrowing and highly entertaining memoir, Running with Scissors, that speaks volumes about the author. While going to the garbage dump with his father, young Augusten spots a chipped, glass-top coffee table that he longs to bring home. "I knew I could hide the chip by fanning a display of magazines on the surface, like in a doctor's office," he writes, "And it certainly wouldn't be dirty after I polished it with Windex for three hours." There were certainly numerous chips in the childhood Burroughs describes: an alcoholic father, an unstable mother who gives him up for adoption to her therapist, and an adolescence spent as part of the therapist's eccentric extended family, gobbling prescription meds and fooling around with both an old electroshock machine and a pedophile who lives in a shed out back. But just as he dreamed of doing with that old table, Burroughs employs a vigorous program of decoration and fervent polishing to a life that many would have simply thrown in a landfill. Despite her abandonment, he never gives up on his increasingly unbalanced mother. And rather than despair about his lot, he glamorizes it: planning a "beauty empire" and performing an a capella version of "You Light Up My Life" at a local mental ward. Burroughs's perspective achieves a crucial balance for a memoir: emotional but not self-involved, observant but not clinical, funny but not deliberately comic. And it's ultimately a feel-good story: as he steers through a challenging childhood, there's always a sense that Burroughs's survivor mentality will guide him through and that the coffee table will be salvaged after all. --John Moe

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“I just finished reading the most amazing book. Running with Scissors is hilarious, freaky-deaky, berserk, controlled, transcendent, touching, affectionate, vengeful, all-embracing....It makes a good run at blowing every other [memoir] out of the water.” ―Carolyn See, The Washington Post“Funny and rich with child's eye details of adults who have gone off the rails.” ―The New York Times Book Review“It is as funny as it is twisted.” ―GQ“A hilarious and horrifying memoir.” ―Los Angeles Times“Harrowing and hilarious. I haven't laughed this much since David Sedaris's last book.” ―Haven Kimmel, author of A Girl Named Zippy“Running with Scissors is a cut above...compelling...the book celebrates Burroughs' resilient, upbeat spirit, which helps him surmount one of the weirder childhoods on record.” ―USA Today“The anecdotes can be so flippant, and so insanely funny (quite literally), that the effect is that of a William Burroughs situation comedy.” ―The New York Times“Burroughs defies the ‘woe is me' stigma of modern memoir with a raucous recounting of his loony teenage years.” ―Entertainment Weekly“I was reminded of Roald Dahl's Boy and A Heartbreaking Work of Staggering Genius. Augusten Burroughs has produced a memoir that's funny and sharp but also humane, as charming as it is revealing.” ―Kurt Andersen, author of Turn of the Century“A memoir that is both horrifying and mordantly funny.” ―San Francisco Chronicle“Burroughs has memorialized his bizarre childhood showing off a dark wit that often rivals that 0of David Sedaris--while telling a true story that would make even Sedaris cringe.” ―New York Magazine“Burroughs tempers the pathos with sharp riotous humor... Edgier, but reminiscent of Dave Eggers' A Heartbreaking Work of Staggering Genius, this is a survival story readers won't forget.” ―Booklist

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Product details

Paperback: 320 pages

Publisher: Picador; 1st edition (June 1, 2003)

Language: English

ISBN-10: 031242227X

ISBN-13: 978-0312422271

Product Dimensions:

5.5 x 0.9 x 8.2 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

1,338 customer reviews

Amazon Best Sellers Rank:

#17,749 in Books (See Top 100 in Books)

I recommend this book to anyone who is interested in a very engaging and entertaining account of extreme family dysfunction. Someone in my book club chose the book; I was unpredared for the bizarre behavior I would encounter in this autobiographical novel.The title captured my attention because running with scissors and other hazardous behaviors were strictly forbidden when I was growing up. At first it seemed that absolutely nothing was forbidden in this family. As the story unfolds a few seemingly incomprehensible rules are revealed. The reason for these rules becomes apparent near the end of the book.Authors of autobiographical novels about family dysfunction rarely avoid the "poor me" syndrome. The author describes, but does not judge the family he grew up in.This book demands that the reader suspend disbelief in order to continue; from my point of view, doing so was well worth the effort.

Suffering served as entertainment: to me, it takes a real writer to make dark things hilarious. Everyone can write a heart-wrenching novel about loss and grief, bipolar parents, abusive shrinks, etc.. But only someone really smart and funny can make such a delightful read out of it, and magnify it into a study of white suburban America's sugarcoated filthy underside.

Something I felt was missing in this memoir though it was funny and crazy. I felt it was such a different kind of read for me and I enjoyed it so much.Ok so I read the book and I was laughing so hard and thought to myself that I have to watch the movie and the movie sucked big time.Ok and now as for the book, I have to say Auggie had one of the most stangest childhood I have ever read about and he was surrounded by some pretty colorful characters.There were times I was laughing out pretty loud and at times I sadly went "oh dear" (his sexual experiences etc) Sometimes I really wondered about lifestory while I commuted to work. SOme of the scenes were rather graphic and pedophilic undercurrents in the network of the family was disturbing.Auggie's mother is a poet (mind you also with mental illnesses) and his father is a teacher/professor who is an alocoholic and boy do they fight. And their son, the author, is sent to live with his mother's therapist, Dr Finch.Dr Finch and his family are really a mix of hippies and oddballs and other disturbing elements. But they are endearing too. Well, everyone is entitled to their beliefs and practices and so are the Finches.And so his quirky stories begin. This is not a typical memoir. The author includes all the ugly stuff in it as wellWhat I loved about this book:The author never makes himself look like a victim or survivor. He tells everything as it and how he constantly tried to make sense and struggle with growing up.I highly recommend it to anyone who wants a different memoir to read!

Memoir, even a few of the greatest examples in the genre, can sometimes fall short of engrossing, may crawl along as the author drags readers through events that fail to universally engage.This is NOT the case with Burroughs's work.This book never slows down, and you won't want it to. This is a you'll-lose-sleep-to-finish-it-in-one-setting kind of book.The language, subject-matter, and overall tone are explicit - properly so, as this boy's childhood was explicit. The title says it all; Augusten ran, break-neck, through a psych ward of formative years, wielding a plethora of too-sharp, age-inappropriate objects along the way.If you're easily offended, you might want to skip this one.Otherwise, buy it, settle in when you have plenty of time, and hold on tight.

I chose this book because it was referenced in another book that I loved (E-squared); I learned that Augusten Burroughs transformed his life from that of a skid row alcoholic to a best selling author, and I wanted to read his first successful book. When viewed through the lens of his transformation, this is probably a five star rating, but it was a little too weird for me. I read the entire book in less than 24 hours, but on several occasions I needed a break from the overwhelming depravity that he described. I am no stranger to mental illness and the chaos that it creates, but in this memoir, there were nearly no normal characters to act as reference points. I do recommend the book, and I can understand how it spent so many months on the best seller list, but I came away feeling so wonderfully average, and for the first time it was a huge positive thing.

If one is interseted in reading about a household of mentally ill people and abused children you may like this book. I occasionally read true crime stories but this not one with it's described in detail vulgarity. I got 50% through the book and just couldn't take anymore. It is the story of a truley twisted "Psychiatrist" and the vulgar beliefs he instills and demonstrates for his and other children. Could not find any redemming qualities. I rarley leave a book unfinished but this one literally made me nauseous.

I did enjoy reading this book! I read it pretty quickly and the plot was really unexpected, different than anything I have ever read. The reviews I had read before choosing this book spoke about vulgarity and explicit content, and the novel definitely has both of those! It's one of those situations where you want to stop because it feels wrong but you can't because it's so interesting. If you become uncomfortable easily, I probably wouldn't read this one. Try and keep an open mind while you read and you will enjoy the honesty and vulnerability the author offers.

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, by Fergus Fleming

Product details

File Size: 1605 KB

Print Length: 368 pages

Publisher: Grove Press; Reprint edition (December 1, 2007)

Publication Date: September 1, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B005R18BZ8

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Amazon Best Sellers Rank:

#978,121 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

After the first few chapters-If you have read about one desert voyage, you have read about them all

A great book worth reading and keeping. The author has keen insights and a wonderful sense of humour.

Neil Sheehan did it, and so did Barbara Tuchman. Both quite successfully in my opinion. Sheehan chose the life of John Paul Vann to personify so much of the American experience in Vietnam, in "A Bright Shining Lie"; Tuchman did the same with "Vinegar Joe" Stilwell, to examine the early relationship between China and the United States, in "Stilwell and The American Experience in China." Fergus Fleming chose two individuals who typified the forces behind the French colonial experience in North Africa: Henri Laperrine and Viscomte Charles de Foucauld. Laperrine was the military man, and De Foucauld was the ideologue, the sword and the cross as the title expressed it. I found Fleming's approach equally successful.Algeria was different; different from the colonial experience of any other European power, and it was different from any other colonial possession of France itself, including Vietnam. At the beginning of Algeria's war of independence, in 1954, 10% of the population of the country was of European origins, and they called themselves "Algerians." More so than even Britain's relationship with the "crown jewel of their empire," India, France considered Algeria an integral part of metropolitan France, "the Hexagon." In large measure, this book explains the origins of this relationship. De Foucauld, like others who became religious ascetics, Thomas Merton, St. Augustine, St Paul, started by leading a full and worldly life. Laperrine was a straight line military man, who saw his opportunity for "glory." The story starts in 1880, and ends with the death of Laperrine in 1920 (De Foucauld died in 1916.)Key themes of the colonial experience are universal. It starts with ideologues, "religious men," those who want to convert the natives to their way of thinking, be it bringing them "civilization," as the French liked to put it, Christianity, as many others did, or, as we put it today, "democracy," and "nation building." Inevitably, the ideologues run into trouble with some recalcitrant natives, and military intervention is the "only solution." Fleming states the obvious, missed by so many: "What only a very few French understood was that the people of North Africa honestly did not want to become French" (p 265). Or: "Circular arguments, false enticements, and a feeling that France was letting things slip, fuelled the imperialist urge (p 73). In terms of the personification of those urges, Fleming writes with incisive clarity: "Ever since the death of his parents, Foucauld had existed on a cocktail of impulse, innocence and optimism and had suffered the inevitable disappointments" (p 129).At Amazon this book has garnered a number of negative reviews. And unlike many such, these are thoughtful negative reviews. I simply disagree with their main premises. One is that since the principal characters are not sympathetic (and indeed, each is profoundly flawed), then the book is of limited merit. With that logic, Truman Capote's "In Cold Blood" is utterly worthless. Another reviewer sad that Fleming's style was flat, but consider: "According to Tuareg mythology, God had created the world's mountains by throwing stones at the globe as it spun by. Eventually, tiring of the game, he had emptied his hand into the desert: the resultant jumble of rock was the Hoggar." Or, concerning Foucauld's "singular vision": "Today, cynics might call it the power of fanaticism. In medieval times it would have been called a halo" (p 237).Overall, I feel that Fleming has written an excellent historical account of an area and era that is not well-understood in the English-speaking world, and that he chose the right two men to "personify" the origins of the French push into the North Africa. It can be read for its own sake, certainly, but more importantly for an American reader, whose country is engaged in similar efforts today, it can be read for the parallels with events now. Concerning efforts to overcome the divisions caused by tribal loyalties or religion, consider: "The respect that Laperrine commanded was awesome. Shortly after Djanet, Herisson asked his Arab batman what he would do if there was holy war between the West and Islam. "Cut your throat," the man replied. Herisson then asked him why he served France at all. His answer was that he did not serve France; he served men like Laperrine and Nieger, men who were warriors and who understood the Sahara."I'm pleased to give the book its first 5-star rating.

I'd previously read, and enjoyed, both "Barrow's Boys" and "Killing Dragons." So, I fully expected to enjoy "The Sword And The Cross." Alas, it was not meant to be. The first hundred pages or so held my interest. After that, I just kept reading for the sake of finishing the book. Not a pleasant experience. So, what happened? Mr. Fleming wanted to tell us about the history of the French colonial experience in Algeria and the Sahara. He chose to do this by primarily concentrating on two people: Charles de Foucauld and Henri Laperrine. Unfortunately, the first fellow was so bizarre that it was impossible to sympathize with him. He was a hedonist turned religious fanatic. He was a masochist. Where others travelled by camel in desert temperatures of 120 degrees farenheit, Foucauld chose to walk. He ate almost nothing. He refused to indulge himself with creature comforts. He longed for death. (I'm not guessing about this or playing armchair psychiatrist. Fleming quotes several times from Foucauld's journal concerning his lifelong deathwish.) Foucauld wanted to convert Moslems to Christianity and set himself up as an example of a person living a Christian life. However, he really had no interest in other people and longed for solitude. Not surprisingly, he failed to gain converts. Despite espousing Christian principles, he was very inconsiderate of his long-suffering manservant and he spent much of his lifetime gathering intelligence to pass on to the French military. Mr. Fleming quotes many people who looked upon Foucauld as a holy-man. It is clear that, in person, he possessed "a certain something" which caused people to look upon him that way. Unfortunately, it doesn't come across on the page. One gets only the impression of an egocentric, unhappy, and self-destructive "nut." We wind up not caring about what he does or what happens to him. With Laperrine we have a different problem. Not much is known about him and he wasn't big on self-publicity. Hence, he floats in and out of the narrative and we never get a handle on who he is and what he wants, other than that he wanted France to be successful in the colonization of the Sahara. One of Fleming's major themes is that the French really had no compelling reason to be in the Sahara. It was sort of, "well, everybody else has colonies, so we want some too...even if we are talking about thousands of miles of desert." At one point, Fleming enjoys writing about one "native notable" who agreed to go to France for a visit. Upon returning home to Africa, he was mystified as to why people who "had Paris" would want to come to the desert. Fleming's point is that there was no point - after the initial contacts, the French presence just sort of snowballed. The book is filled with numerous trips through the desert by the French military, as they try to prove to the Arabs and Tuaregs that they are in control. But, since the whole thing is so pointless, we wind up not caring about any of this. Frankly, it is monotonous and boring to read about. I am a Francophile, and Mr. Fleming is a very good writer, but I couldn't get worked up about any of this. I suppose that if you are French, this background to what became the "Algerian Nightmare" of the mid-20th century (a military quagmire with terrorist attacks, to boot) might be of some scholarly interest. Otherwise, for the general reader, I just can't recommend this book.

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