Ebook Free Looking Awry: An Introduction to Jacques Lacan through Popular Culture (October Books)

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Looking Awry: An Introduction to Jacques Lacan through Popular Culture (October Books)

Looking Awry: An Introduction to Jacques Lacan through Popular Culture (October Books)


Looking Awry: An Introduction to Jacques Lacan through Popular Culture (October Books)


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Looking Awry: An Introduction to Jacques Lacan through Popular Culture (October Books)

Review

Žižek is a one-person culture mulcher. Flinging out readings of film noir or Hitchcock's The Birds, drawing maps of the unconscious, analyzing the commodity form, Stephen King, or Hegel's Phenomenology of Spirit, be plays the philosopher as standup comic...The elusive Lacan, who cultivated an aura of indecipherability with the care of a diva becomes a field guide to life in an age of media.―Edward Ball, Voice Literary Supplement

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Review

Zizek is one of the very few thinkers who has been able to reinvent Lacan's fundamental concepts with a freshness and elasticity that makes one remember what was genuinely exciting and revolutionary about the Parisian school. His work is saturated with the lessons of philosophy and psychoanalysis and he has a feel for film and literary culture that is quite breathtaking.―Andrew Ross, Princeton UniversityLooking Awry is a wonderful introduction to dialectical psychoanalysis; to a fresh approach to the subjectivities of mass culture, and to an extraordinary new voice we will hear often in the coming years.―Fredric R. Jameson, Duke University

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Product details

Series: October Books

Paperback: 188 pages

Publisher: The MIT Press; Reprint edition (September 8, 1992)

Language: English

ISBN-10: 026274015X

ISBN-13: 978-0262740159

Product Dimensions:

7 x 0.4 x 9 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#589,006 in Books (See Top 100 in Books)

I didn't give this book five stars because I didn't feel I knew Lacan much better after reading it. Granted, there were a few memorable moments of Lacanian interpretation, but now that I look back on it, they were only enlightening because of background information I had from better introductory texts. Fink's 'Clinical Introduction,' and 'Lacanian Subject,' are better for a base understanding of Lacan. Overall, I felt the book was worth the read, because it was Zizek after all.. I enjoyed a lot of the literature interpretations he included, as well as film analysis. Like other reviewers have commented, this is more Zizek in here than Lacan, and this was part of the reason I decided to read this. However, I felt the overall format of the book- divided by Lacanian theoretical points- did not help the reader's already difficult task of trying to keep track of Zizek's often scattered arguments.

Exactly as promised.

LOOKING AWRY, the title of slavoj zizek's introduction of jacques lacan, is also a method of indirectly approaching lacan's work through critiques of popular fiction and film theory of the films of alfred hitchcock and a few films by other directors who worked, for the most part, in film noir of black and white films.comments on lacan's work are minimal within the body of zizek's text. the comments pertaining to lacan's work by zizek, function as signs pointing to the notes at the end of the book, and the notes pointing to lacan's writings. zizek's method does manage an introduction to the work of lacan.in the final section of zizek's text, the political ideas pulled from lacan's writings, seem to belong more to zizek than lacan. remarks made about nationalism under technological advances and the resulting racism of pizza parlors and chinese take-outs correlated with sade and kant were written here before social media, 9-11, and buzz phrases including `post-racial' and `diversity'. our time, our now, might clarify, set right, if not prove to be right or wrong, these prophecies.an excellent book for hitchcock fans or students who must read lacan, but equally an introduction to the work of slavoj zizek, who, from what the furious noise within the space surrounding him signifies, has gone on to sound off on much begun here by him.

I liked this book. I read this right after I read Sean Homer's "Jacques Lacan" from the Routledge Critical Thinkers Series. Homer's book properly initiated me into Lacan... I do not believe Zizek's book is a 'proper' introduction into Lacanian theory... it is great reading if you have already read a more measured introduction into Lacan. Bottom line: 'Looking Awry' isn't a great INTRODUCTION into Lacan....but if you are already introduced into Lacan, then "Looking Awry" is good reading.

I am struck by the negative reviews that caution readers: "Zizek is not an orthodox Lacanian! Read him only if you have already understood Lacan!" This is, of course, the typically cultish--really Catholic--approach to Lacan that treats him as a holy text, pre-supposes a series of high priests who have been properly anoited and through whom one must receive the officially sanctioned interpretation. I don't read Zizek for Lacan--I read him for Zizek, and I encourage others to do likewise. *Looking Awry* and *Enjoy Your Symptom* are prehaps the easiest approaches to Zizek and his brand of cultural criticism, as they rely almost entirely on popular culture, especially film. Zizek's perverse (and often dirty) sense of humor and tendency to read against the grain at all costs are apparent on nearly every page, which makes this a very engaging read, indeed. Intellectually, there are some problems with his approach, of course--but Zizek's voice is such a refreshing change of pace, and his constant turn to a reading that you thought was impossible (but turns out to be preversely appealing) makes them all worthwhile.

This book is very interesting but I think it would have been better to call it "An Introduction to Popular Culture trhough Jaques Lacan". This would be a proper title because Zizek dedicates more space to tell us what some products of popular culture are about (i.e. Stephen King's novel "Pet Sematary"; Robert Sheckley's short story "The Store of the Worlds") than to explain, or even outline, the theories of Jaques Lacan. This in itself is not a critique, I just want to say that the title can be misleading. You will not find here an explanation or an introduction to Lacan, but rather a Lacanian reading or interpretation of some products of popular culture (novels, short stories and films.) If you are looking for an easy or brief rendering of Lacan, this book will not be of much help. Moreover, I would say that the readers who will profit the most are those who are already familiar with, or at least know something about, Lacanian thought. This said, I think that Zizek's Lacanian reading of popular works is very good in some cases, and somewhat poor in others. For example, he recalls the novel "Pet Sematary" but he explains almost nothing about it. The good cases, however, make it worth the effort to read the book (Zizek's writing is complicated, but so is Lacan's), and even if you do not agree with some of his points, they are still useful to encourage thought and discussion. If you are interested in the study of popular culture, the interpretation of film and literature, or in the application of Lacanian theory to social analysis, this book will certainly be of use.

This isn't an introduction at all. If you already know about Lacan and you want to look more deeply at his concepts with illustrations of them drawn from literature and film then it's okay. If not then forget it. Lacanian concepts are complex and you really have to have mastered them to write a good book about them on an introductory level. Lionel Bailly's 'Lacan' is a superb introduction far better than anything Zizek is capable of turning out. 'Looking Awry' is the icing on the cake but if you haven't already got the cake then it's all icing and no cake.

smart & enjoyable.

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Download Digital Photography Secrets: How to Take Amazing Photographs Using Digital Photography

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Listening Length: 39 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: James P. O'Brien

Audible.com Release Date: May 5, 2015

Whispersync for Voice: Ready

Language: English, English

ASIN: B00X6EH7CQ

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Ebook Download Yes!: My Improbable Journey to the Main Event of WrestleMania

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Yes!: My Improbable Journey to the Main Event of WrestleMania

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Publisher: Macmillan Audio

Audible.com Release Date: July 21, 2015

Whispersync for Voice: Ready

Language: English, English

ASIN: B01132UKEO

Amazon Best Sellers Rank:

I love pro wrestling. The art of the dance of choreographed violence makes my brain spark with enjoyment and at its best sends chills down my spine. But as much as I love pro wrestling, I love a first hand account of the backstage happenings of pro wrestling, and Yes delivers on that front.On top of Daniel Bryan’s life story of being a boy dreaming of a pro wrestler, you get a sweet helping of the backstage dirt about memorable moments of his WWE career. The choking incident during the inception of Nexus, the pure joyride of team Hell No, and even his infamous match with Randy Orton on a random Raw in which some of Bryan’s body shut down on him, Daniel Bryan doesn’t shy away in detailing his emotions and backstage ordeals in these somewhat famous events. And it’s absolutely entertaining.The deeper your knowledge is with wrestling the more I would recommend this book to you. The book is fun, seemingly honest, and full of insight of the niche culture of pro wrestling.

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Thoroughly enjoy this book. I'm about 100 pages in at the time of this post. DB with the help of Craig Tello take you into the life of an undersized competitor in to the unorthodox world of pro wrestling. Daniel's stories are told with his interesting point of view and really feel genuine. Many WWE fans know that the WWE has a tendency to rewrite history or simply leave things unmentioned. This book was not affected by that.

Fan of Daniel Bryan so I really enjoyed his book. Great insight into how he started and how hard it really is to make it in wrestling. It even detailed his relationship with Brie and looked at what it's like to appear on a reality show. Very truthful compared to some books, and I recommend it to any wrestling fan.

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Ebook Free , by James H Billington

Ebook Free , by James H Billington

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File Size: 5265 KB

Print Length: 868 pages

Publisher: Vintage (September 22, 2010)

Publication Date: September 22, 2010

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0042JSO6M

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My second read. First more than thirty years ago. Great Book

_The Icon and the Axe: An Interpretive History of Russian Culture_, first published in 1966 and made available here by Vintage Books, by renowned Russian scholar James H. Billington is a fascinating and highly detailed account of Russia's unique cultural history. James H. Billington (1929 - ) is a renowned Russian scholar who was a professor at Harvard and Princeton and is currently serving as the Librarian of Congress. His work has chiefly focused on Russian history and culture and also revolutionary movements including his excellent book _Fire in the Minds of Men_ (1980). Billington's scholarship is of the highest caliber, but his books may prove difficult for some given the fact that they are heavily footnoted and extremely scholarly. Billington defines this book as an "interpretive history of modern Russian thought and culture" and explains that resulting from his own reflections it offers a selective account of the rise and development of Russian culture and thought in the last 600 years. Russian culture offers a unique heritage and this book explores that heritage as it has existed in Russia's history. In his Preface, Billington explains that two artifacts have been chosen to serve as the title for this book - the icon and the axe - and that each has a unique and important meaning. The icon or holy picture represents Russia's spiritual heritage; while the axe is an unholy weapon. Both of these artifacts may be found "hung together on the wall of the peasant hut in the wooded Russian north" and "suggest both the visionary and earthy aspects of Russian culture". However, as the author notes ironically, the icon has been wielded by charlatans and demagogues while the axe has been wielded by saints and artists. Several important components play into Russia's cultural heritage including the history of the tsars, the lives of the peasants represented strongly in the traditions of their religion Eastern Christianity, and later the arrival of the Marxists who took over Russia in the form of Bolshevism. Billington identifies three supra-personal forces at work in Russian culture - nature itself, Eastern Christendom, and the impact of the West. This book explores all such important components in detail. The book is expertly footnoted and includes several detailed maps and various images and pictures.Billington begins his book with a Preface in which he explains his understanding of an interpretive cultural history, explores the notions behind the artifacts of the icon and the axe, and traces out his cultural history of Russia. This is followed by a section detailing his Acknowledgements. The first part of the book is entitled "Background". Here, Billington begins by detailing the earliest history of modern Russia as it existed in "Kiev", the role of the Slavs and Mongols, and the arrival of Christianity in the form of Eastern Orthodoxy. Billington explores ancient Russia literature and various sagas and lays. Following this, Billington turns to "The Forest" where he traces out Russia's earliest history, noting the relationship between the ancient tribes, how Eastern Christianity came to dominate, and the history of earliest Russia. Billington details this through sections exploring "Axe and Icon" and "Bell and Cannon". The second part of this book is entitled "The Confrontation" and explores the early Fourteenth to the early Seventeenth centuries. Billington traces out "The Muscuvite Ideology", noting the rise of Moscow as the "third Rome", tracing the heritage of the Russian rulers from the time of the semi-legendary Riurik, and exploring the mystical traditions of the Eastern Church and the Hesychasts. Billington next examines "The Coming of the West", noting the problematic role of Russia's relationship with the West. Billington discusses such things as "Novgorod", ""The Latins"", ""The Germans"", and "The Religious Wars". In particular, Billington notes the importance of Spain on Russia, the relationship between the Eastern churches and the Roman Catholics, the role of the tsars and the tsar seen as an Old Testament king, the notion of "Holy Rus", and various other relationships between Russia and the West. The third part of this book is entitled "The Century of Schism" and discusses history between the periods of the Mid-Seventeenth to the Mid-Eighteenth centuries. Billington discusses such things as "The Split Within" mentioning the schism of 1667 and considering such responses as "The Theocratic Answer", "The Fundamentalist Answer", and "The Great Change". Billington also discusses "The Westward Turn" mentioning such things as "New Religious Answers", "The Sectarian Tradition", "The New World of St. Petersburg", and "The Defense of Muscovy". The fourth part of this book is entitled "The Century of Aristocratic Culture" and discusses the Mid-Eighteenth to the Mid-Nineteenth centuries. Billington first discusses "The Troubled Enlightenment". Here, Billington examines such topics as "The Dilemma of the Reforming Despot", "The Fruits of the Enlightenment", "The Alienation of the Intellectuals", "Novikov and Masonry", and "The Frustration of Political Reform". Following this, Billington examines "The Anti-Enlightenment". Billington examines the forces operating against the Enlightenment in the form of the "Catholics", the "Pietists", the "Orthodox", and "The Legacy". Next, Billington considers ""The Cursed Questions"", examining the problems taken up by aristocratic intellectuals. Billington examines such topics as "The Flight to Philosophy", "The Meaning of History", "The Prophetic Role of Art", "The Missing Madonna", and "The "Hamlet Question"". The fifth part of this book is entitled "On to New Shores" and examines thought as it developed in the second half of the Nineteenth Century. Billington examines such issues as "The Turn to Social Thought", "The Agony of Populist Art", and "New Perspectives of the Waning Century" (including discussion of "Constitutional Liberalism", "Dialectical Materialism", and "Mystical Idealism"). The sixth part of this book is entitled "The Uncertain Collosus" and examines the period of the Twentieth century including the rise of the Soviets. Billington first devotes a section entitled "Crescendo" in which he examines periods following the revolution of 1917 and discussing such things as "Prometheanism", "Sensualism", and "Apocalypticism". Following this, Billington discusses "The Soviet Era" mentioning such topics as "The Leninist Legacy" and "The Revenge of Muscovy". Next, Billington discusses "Fresh Ferment", mentioning some of the accomplishments in Russian culture under Bolshevism. Here, Billington discusses such things as "The Reprise of Pasternak" and "New Voices". This part ends with a discussion of "The Irony of Russian History". Here, Billington discusses the concept of irony and absurdity, traces the role of Russian history from the time of the tsars to the post-Stalinist era, and discusses Russia in a post-Stalinist world. The book ends with an extremely detailed Bibliography, References, and an Index.This book offers an extremely rich source of valuable material on Russia's unique and lasting cultural contributions. Many themes play out throughout the book including the natural spirituality of the Russian people and the role of the Eastern churches, the history of the Russian tsars and the courtly culture, the role of aristocrats and intellectuals, the role of artists, writers, and poets, the problematic of Russia's relationship with the West, and finally the rise of the Soviet state and Russia under the Soviets. If one seeks to understand these contributions of Russian culture, one can surely look in no better source than here. While the book is difficult, it remains an essential study meandering through the threads of Russian cultural history and bringing forth much detailed and rich information. It is highly recommended to all those who seek to understand in depth Russian culture.

I have read many books about Russian architecture, art, tsars, imperial costume and jewelry, and have lots of books of photos of the tsars, Russian houses, churches, Faberge, etc. I have visited St. Petersburg and saw many wonderful palaces and native arts. This book is just too academic and learned for me, who holds a Master's degree. It is packed with SO much information that it makes it hard to slog through. I wish it had been more accessible to a person who is NOT interested in such a great amount of detail. If you do like all the minutae, then this book is for you! It is a good reference book if you use the index and find exactly the leader, tsar, composer or artist that you want. this book has caused me to ask for some Russian short stories and poetry for Christmas gifts. The author is undoubtedly extremely well versed in Russian history and the arts. If he could have edited it to half its length he could have kept my interest. He goes for chapters and chapters on the Old Believers, for example. I will try reading Natasha's Dance which perhaps will be more geared to a general readership.

I've read through this several times over the years, and I enjoy it every time I pick it up again. Thorough and well written.

This book is easier to understand and more enjoyable than other books on similar topics. (I am only half the way through). I would buy this book again.

The Icon and the Axe. This book is a classic treatment of the topic: densely researched, gracefully written, and quick-paced throughout its 800 pages (rivaling many Russian novels in this latter respect). Delivery by Books Land was prompt, and both icon and axe arrived carefully wrapped and in great shape. Five stars all around.

This book evidently is the result of a disertation as it has the typical structure of such a document. It really needs to be read in conjunction with other books on Russian History to get its full impact. It is highly documented with lots of notes. It gives Russian history a new look, telling you why Russia had to do certain things. It was very enlightening and well organized and written. I would give it a must buy recommendation.

Impressive erudition and clarity. Makes you think of Einstein. "You really know something when you can explain it to your granny and she understands it"

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