Ebook Mademoiselle: Coco Chanel and the Pulse of History
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Mademoiselle: Coco Chanel and the Pulse of History
Ebook Mademoiselle: Coco Chanel and the Pulse of History
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Audible Audiobook
Listening Length: 16 hours and 36 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: HighBridge, a division of Recorded Books
Audible.com Release Date: September 30, 2014
Whispersync for Voice: Ready
Language: English, English
ASIN: B00O17SM26
Amazon Best Sellers Rank:
Though extensive and seemingly exhaustive in its details and depth of research, almost half of the 600 pages is devoted to hammering it into our heads the fact that Coco Chanel was a fascist Nazi sympathizer. Garelick attempts to subtly separate Coco Chanel the fascist woman from Chanel the powerhouse fashion brand of today, so as not to offend the current owners nor damage their profits in any way.The author easily glosses over the fact that Coco had to gain the favor of the Nazis in order to rescue her nephew (or most likely son), who was dying in Nazi captivity and whom she loved dearly. The author quickly glosses over the fact that the Wertheimers royally screwed Coco by setting up their own, separate Chanel corporation in America during the war, and profited enormously from perfume sales, all the while sharing none of it with the woman herself.The first thing Garelick does is insinuate that the interlocking C logo is a fascist symbol much like the swastika, and how Coco's own fascist tendencies enabled her fashion brand to dominate. There are a good twenty pages or so where the author lectures the reader on fascism and the evils of the German Nazis. It is repetitive, completely unnecessary, and only serves Garelick's purpose in imprinting a very negative image of Coco in the readers' minds. Many of those who were wealthy or had much to lose during the war were Nazi sympathizers, including the British royal family and almost everyone in the upper echelons of European society, but the particularly harsh focus of the author on Coco, as well as Garelick's own personal insinuations (which she weaves in many paragraphs stealthily) on Coco’s thoughts or motives, are just plain annoying.The real motive of this biography is to shame, denigrate, and disparage Coco Chanel the woman, while simultaneously praising and building respect for the house of Chanel under the Wertheimer ownership. I do not recommend this book, and feel that it portrays a very strong woman who overcame incredible tragedies and obstacles in a purposefully negative light. It is not an unbiased, objective biography.
Extremely well researched and minutely detailed in seemingly every aspect of Chanel's life. I began to find it tedious by only one-third finished, even though I have read many lengthier biographies. My loss of interest is not as much the fault of the author's as my previous ignorance of Chanel's extreme Nazi leanings that completely disenchanted me from learning more about her and will forever keep me from purchasing or using her empire's products.
Definitely, one of the most comprehensive biographies of Coco Chanel since (as you will quickly learn reading this book) Coco lied a lot about her childhood and upbringing. This biography was written after both German and French records were released to the public. However, Garelick’s failed to explore beyond the limitation that her subject imposed on her. Coco is such an elusive subject due to her multitude of lies and exaggerations and Garelick was barely able to successfully capture the life of Coco let alone expand into her surrounding environment.
Garelick has done exhaustive research on Chanel from her birth to her death and beyond. While the author is sometimes repetitive, pounding forth her favorite themes; e.g., the similarity between the iconography of fascism and haute couture, the sheer force of the personality and drive of Coco herself makes this book hard to put down.Garelick adds recently revealed details of Chanel's life and provides ample corroboration for them. It was sometimes hard to read the central portion of the book dedicated to Chanel's years of collaboration with the Nazi's. I was disgusted with her for a time - by this time it was as if I knew her personally so strongly did the author evoke the woman. But like most of the world, as time passed and Coco reinvented herself once again, I could not help but admire the indomitable spirit of this iconic force of nature. This is a well written book perfect for fans of Gabrielle Chanel, as well as anyone interested in society, culture and history in Europe spanning the years between the 1880s and the 1970s. Fascinating!
chapter ten, "the pulse of history," is a perfectly brilliant analysis of the fascist aesthetic & marketing agenda, cleverly compared to chanel's. this chapter by itself deserves 5 stars and is highly recommended to students of history. the sloppy quality of the rest of the book makes one wonder if it was simply written as an excuse to get this one wonderful chapter published. who would otherwise choose to write about chanel the woman?, who was a genius designer & marketer but a nasty & tiresome piece of work.the author is sympathetic to her, however, and if you like this sort of Bio Lite with plenty of nice pictures, this book is for you. but do not examine it too closely. like too many american writers of history, the author practices the sneaky trick of presenting a wholly speculative theory without a whit of evidence, gamely admitting it is speculative at the outset, then tossing it in continuously thru'out the book so that the reader is gradually lulled into taking it as fact. prime examples of this are coco's "possible" abortion in youth, her nephew's "likely" being her son, and her "lesbianism" (sic). smaller sins of this nature also abound, and too much goes unsourced. this is not a book for an academically minded reader who expects historical scholarship to be rigorous, or for people of organized intellect generally.also you should know that the paperback edition sheds pages the moment you turn them. the whole binding had detached a couple chapters in.altogether not worth the price, but chapter ten is great, and i have reluctantly given an extra star for that reason.
Coco Chanel was a very interesting character but I felt the book was way too long and I would skim parts just to get through. I did learn a lot about her fashion career and perfume industry as well as her role in WWII, but I lost interest when she reinvented her life to fit the audience. I think it was worth reading but I would not reread it.
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